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	<title>Comments on: The One That Started It All</title>
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	<link>http://theomniscientmussel.com/2007/09/the-one-that-started-it-all/</link>
	<description>Classical Music &#38; Culture</description>
	<pubDate>Tue, 02 Dec 2008 02:20:16 +0000</pubDate>
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		<title>By: The Omniscient Mussel on Classical Music &#38; Culture &#187; On The Other Hand</title>
		<link>http://theomniscientmussel.com/2007/09/the-one-that-started-it-all/#comment-276</link>
		<dc:creator>The Omniscient Mussel on Classical Music &#38; Culture &#187; On The Other Hand</dc:creator>
		<pubDate>Sat, 05 Jan 2008 21:51:14 +0000</pubDate>
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		<description>[...] Friday, Miss Mussel wrote on the relationship between humour and criticism, taking great care to disparage academic hubris, or, to use the vernacular &#8220;having [...]</description>
		<content:encoded><![CDATA[<p>[...] Friday, Miss Mussel wrote on the relationship between humour and criticism, taking great care to disparage academic hubris, or, to use the vernacular &#8220;having [...]</p>
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		<title>By: Pete Tindall</title>
		<link>http://theomniscientmussel.com/2007/09/the-one-that-started-it-all/#comment-86</link>
		<dc:creator>Pete Tindall</dc:creator>
		<pubDate>Tue, 16 Oct 2007 16:19:49 +0000</pubDate>
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		<description>Miss Mussel is right! Compare George Bernard Shaw in his alter ego as music critic (the nom de plume escapes me but you can read him in "GBS on Music") with most modern criticism and see what a difference a little wit makes. One can even forgive his hagiography of Richard Wagner, a composer whose works are best enjoyed on Bugs Bunny cartoons.</description>
		<content:encoded><![CDATA[<p>Miss Mussel is right! Compare George Bernard Shaw in his alter ego as music critic (the nom de plume escapes me but you can read him in &#8220;GBS on Music&#8221;) with most modern criticism and see what a difference a little wit makes. One can even forgive his hagiography of Richard Wagner, a composer whose works are best enjoyed on Bugs Bunny cartoons.</p>
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		<title>By: Miss Mussel</title>
		<link>http://theomniscientmussel.com/2007/09/the-one-that-started-it-all/#comment-29</link>
		<dc:creator>Miss Mussel</dc:creator>
		<pubDate>Sun, 23 Sep 2007 12:08:00 +0000</pubDate>
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		<description>Highly amusing.  In a sense it almost doesn't matter if it's true or not.  Miss Mussel can just  imagine what your teacher had to say about it.</description>
		<content:encoded><![CDATA[<p>Highly amusing.  In a sense it almost doesn&#8217;t matter if it&#8217;s true or not.  Miss Mussel can just  imagine what your teacher had to say about it.</p>
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		<title>By: Matthew</title>
		<link>http://theomniscientmussel.com/2007/09/the-one-that-started-it-all/#comment-28</link>
		<dc:creator>Matthew</dc:creator>
		<pubDate>Sat, 22 Sep 2007 19:25:38 +0000</pubDate>
		<guid isPermaLink="false">http://theomniscientmussel.com/?p=84#comment-28</guid>
		<description>I think I have the same edition of the Beethoven. From the notes for op. 26:

"The custom of taking the variations in different tempi is bad.... A player who cannot find one tempo that suits the theme and all its five variations is like a princess who has not been trained to walk with royal self-possession over a wide space in front of her."

My very Russian piano teacher, incidentally, thought this was nonsense. But even he laughed.</description>
		<content:encoded><![CDATA[<p>I think I have the same edition of the Beethoven. From the notes for op. 26:</p>
<p>&#8220;The custom of taking the variations in different tempi is bad&#8230;. A player who cannot find one tempo that suits the theme and all its five variations is like a princess who has not been trained to walk with royal self-possession over a wide space in front of her.&#8221;</p>
<p>My very Russian piano teacher, incidentally, thought this was nonsense. But even he laughed.</p>
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