The Omniscient Mussel

Jumping Off A Cliff

If Wellsung, Soho The Dog, Steve Smith and La Cieca are doing it, then so is Miss Mussel.

It’s the birth opera meme. Courtesy of the Met’s archives, you can find out what was playing on the day you were born.

For those born in summer, when the Met is shut, the rule seems to be to check out the Salzburger Festespiele. Or, you could follow Matthew’s lead, just this side of overshare, and go with date of conception instead.

So, 12th December 1978 was:

DON PASQUALE {84}

Don Pasquale…………Gabriel Bacquier
Norina………………Beverly Sills
Ernesto……………..Nicolai Gedda
Dr. Malatesta………..Häkan Hagegärd
Notary………………Nico Castel
Servant……………..Unknown

Conductor……………Nicola Rescigno

Those without blogs that feel compelled to participate may consider the comments their mini-blog for the day.

On this day..

4 Comments

    On the day I was born there was a matinée of a Rigoletto production:

    Metropolitan Opera House
    December 22, 1973 Matinee Broadcast

    RIGOLETTO {523}
    Giuseppe Verdi–Francesco Maria Piave

    Rigoletto……………Matteo Manuguerra
    Gilda……………….Colette Boky
    Duke of Mantua……….Enrico Di Giuseppe
    Maddalena……………Joann Grillo
    Sparafucile………….Ezio Flagello
    Monterone……………James Morris
    Borsa……………….Douglas Ahlstedt
    Marullo……………..Clifford Harvuot
    Count Ceprano………..Richard Best
    Countess Ceprano……..Betsy Norden
    Giovanna…………….Carlotta Ordassy
    Page………………..Shinja Kwak
    Guard……………….Domenico Simeone

    Conductor……………Serge Baudo

    …but, above all, Les contes d’Hoffmann, the one with Dame Joan Sutherland!

    Metropolitan Opera House
    December 22, 1973

    LES CONTES D’HOFFMANN {127}

    Hoffmann…………….John Alexander
    Olympia……………..Joan Sutherland
    Giulietta……………Joan Sutherland
    Antonia……………..Joan Sutherland
    Stella………………Joan Sutherland
    Lindorf……………..Thomas Stewart
    Coppélius……………Thomas Stewart
    Dappertutto………….Thomas Stewart
    Dr. Miracle………….Thomas Stewart
    Nicklausse…………..Huguette Tourangeau
    Muse………………..Huguette Tourangeau
    Andrès………………Andrea Velis
    Cochenille…………..Andrea Velis
    Pitichinaccio………..Andrea Velis
    Frantz………………Andrea Velis
    Luther………………Edmond Karlsrud
    Nathanael……………Charles Anthony
    Hermann……………..Russell Christopher
    Spalanzani…………..Nico Castel
    Schlemil…………….Clifford Harvuot
    Crespel……………..James Morris
    Mother’s Voice……….Cynthia Munzer

    Conductor……………Richard Bonynge

  • Re Countes: holy double casting Batman!
    I don’t know the plot, so maybe that is necessary/common. At any rate, the Met sure got their money’s worth….unless of course singers charge doubling fees as well.

  • Tales of Hoffmann is one of those operas where double casting isn’t required but is considered something of a test for the soprano. It is traditional for the bass-baritone singing the 4 villains. The difficulty for a soprano is that all 4 roles are quite different in terms of their ranges and styles. Olympia is pure coloratura soprano, with a lot of fioratura and very high notes. Antonia is quite lyrical but also very high. Giulietta, on the other hand, lies lower in the voice and has even been sung by mezzos (Agnes Baltsa recorded it). Stella is a relatively small role. other sopranos who have sung all 4 roles include Beverly Sills, Anna Moffo, and Edita Gruberova. Anna Netrebko (as Miss Mussel can attest is either worshiped or vilified on Parterre Box) is adding the 4 heroines to her repertoire.

  • So Tales of Hoffman is to soprano as the decathalon is to track athletes. Good to know. Thanks for delurking and contributing to Miss Mussel’s opera education. Every little bit helps!

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