What is it about one TWO three FOUR that’s so appealing? Does it matter that we know emphasis is usually on 1 and 3 or is this construction now so common, it has become its own independent thing?
Gregory on Where To Watch Orchestra, Opera & Ballet Online
Molly @WonderlandK on XKCD: Every Major’s Terrible
Yassha on Jackie Evancho
Tina on Update: Elbphilharmonie Hamburg
Rebecca on Lulu And The Lampshades: Cups
Proms from the arena, London
Proms from the arena, London
Finished pointe shoes at Freed, London
Drums at Innuksuit, Park Avenue Armory, New York
Church of our Lady, Guelph
Royal Albert Hall, London
Hyde Park at dusk, London
All over rural Ontario
Ostbahnhoff, Berlin
Waterloo Bridge, London
V&A London
Toy Soldiers at the V&A, London
Lost
The Eye & The Sky, London
Southern Cemetery, Manchester
Glyndebourne Picnic
Midland Hotel, Manchester
The Deansgate, Manchester
The Fourth Plinth