Bibliography

ARTICLES
“About the Composer [Goligov].” <http://www.golijov.com/about.html>.
[cited 4 January 2004]

Asplind, Christian. “A Body Without Organs: Three Approaches–Cage, Bach and
Messiaen. Perspectives of New Music 35 (1997): 171-187.

Bernheimer, Martin. “Colour Added To Dim Works.” The Financial Times: (8 November,
2002): 15.

Brown, Geoff. “Water Passion After St. Matthew.” The London Times: (3 October, 2000):
21.

Campbell, Karen. “A Russian Composer’s Path to Freedom” The Christian Science
Monitor, appeared in print on 27 August 1997. : available at<http://www.search.
csmonitor.com/durable/1997/08/27/feat/music.1.html> [ cited 5 January, 2004].

Clark, Andrew. “The Creative Eloquence of Silence.” The Financial Times: (11 January,
1999): 18.

Clements, Andrew. “Classical CD of the Week: Dark Star: Wolfgang Rihm.” The
Guardian: (22 June 2001):18.

Cutts, Paul. “A Passion for Bach.” Choir and Organ (July/August 2000): 30-32.

“Deus Passus” <http://www.collegiumusa.com/hanssler/3_han_98397.html>.
[cited 5 January, 2004]

“Dynamic and Rigorous” <http://www.festspielfreunde.at/english/frames/199912/
ef_199912_12.htm.> [cited 5 January, 2004]

Felstiner, John. “Selecte Poets and Prose of Paul Celan” http://www.norton.com/catalog/
fall01/032224.htm [cited 5 September 2004]

Gann, Kyle. “Wolfgang Rihm, Abendgesangsszenc, Nos 4 &5” December 1999
<http://www.americansymphony.org/dialogues_extensions/99_2000season/
2000_03_08/rihm.cfm>. [cited 5 January 2004]

Griffiths, Paul, “The Passions, Drawn to a Bachian Model” The New York Times, printed on 18 August, 2002. <http://www.golijov.com/NYTimes2.html>. [cited 4 January, 2004]

Holland, Bernard. “The Music is Worshipful, the Creators Aren’t.” New York Times, printed 18 February, 2001. <http://www.golijov.com/NYTimes.htm>
[cited 4 January, 2004].

Humphrey, Mary Lou. “On the International Scene” (database) June 1998,
<http://www.schirmer.com/composer/tan_essay.html> [cited 5 January, 2004]

Kaltenecker, Martin. “Wolfgang Rihm” (database) <http://www.festival_automme.com/
public/historiq/2002/musique/01_rihm/fr02ce.htm> [cited 5 January, 2004]

Kouwenhoven, Frank. “Tan Dun’s Background and Development” (database) June 1993, <http://www.schirmer.com/composer/tan_essay.html>. [cited 5 January 2004]

Lukomsky, Vera. “Sofia Gubaidulina: ‘My Desire Is To Always Rebel, To Swim Against The Stream!'”[interview & trans. by V. Lukomsky]. Perspectives of New Music 36 (1998): 29-35.

Lukomsky, Vera. “‘The Eucharist in my Fantasy’: An Interview with Sofia Gubaidulina.” [trans. V. Lukomsky] TEMPO 206 (1998): 29-35.

Lukomsky,Vera. “‘Hearing The Subconscious’: An Interview with Sofia Gubaidulina.” [trans. Lukomsky] TEMPO 209 (1999): 27-31.

Michener, Charles. “Osvaldo’s Song: A Great Pasión in Boston.” New York Observer, printed 5 March, 2001. http://www.golijov.com/NYObserver.htm>.
[cited 4 January, 2004]

Morrison, Richard, “A Passion For The Universal.” The London Times: (26 September, 2000): 16.

Murray, David. “Gergiev leads Kirov In A Huge Triumph.” The Financial Times: (28 August 2002): 12.

Murray, David. “Johann Sebastian Bach.” The Financial Times: (3 November, 2001): 7.

O’ Mahoney, John. “Crossing Continents: The Guardian Profile Tan Dun.” The Guardian: (9 September, 2000): 8.

“Rihm, Wolfgang.” (database) 13 March, 2002,<http://composers21.com/compdocs/
rihmw.htm>. [cited 5 January, 2004]

Ross, Alex. “Ressurection: The Passion according to Osvaldo Golijov.” The New Yorker, In print 1 March, 2001. <http://www.golijov.com/pasion.html>. [cited 6 January, 2004]

“Sofia Gubaidulina” (database) 28 March 2002, ; <http://www.schirmer.com/composers/
gubaidulina_bio.htm>. [cited 5 January, 2004]

“Tan Dun” (database) ; <http://www.schirmer.com/composers/tan_bio.html>.
[cited 5 January, 2004]

“Wolfgang Rihm in Conversation with Kirk Noreen and Joshua Cody.” (database) <http://www.sospeso.com/contents/articles/rihm_p1.html>.
[cited 5 January, 2004]

BOOKS
Dodd, Paul, ed. Masterworks of Choral Music. Bach’s Passions by Paul Steinitz. London: Park Elk, 1979.
Europaisches Musikfest. Passion 2000 Programmbuch. Stuttgart: Internationale
Bachakademie, 2000.

Robison, Ray and Allen Winold. A Study of the Penderecki St. Luke Passion. Federal
Republic of Germany: Moeck Verlag, 1983.

Smallman, Basil. The Background of Passion Music: JS Bach and His Predecessors. New
York: Dover Publications, 1970.

RECORDINGS
Bach, J.S. St Matthew Passion BWV244. English Baroque Soloists, Monterverdi Choir, London Oratory Junior Choir and John Eliot Gardiner, conductor with Anthony Rolfe Johnson, Evangelist and Andreas Schmidt, Jesus. Decca, DC 98-4557, 1989.

Golijov, Osvaldo. La Pasión Según San Marco. Maria Guinand, conductor with Caracas
Schola Cantorum with Alter Ego and Petruzzelli Artistic Theatre Chorus. Hänssler
2001, 98404..

Gubaidulina, Sofia. Johannespassion. Valery Gergiev, conductor; St Petersburg Chamber
Choir, St Petersburg Maryinsky Theatre Chorus, St Petersburg Maryinsky Theatre
Orchestra; soloists: Bezzubenkov/Lutsiuk/ Korneva/ Mozhaev. Hänssler 2001, 98405.

Pärt, Arvo. Passio. Antony Pitts, conductor; Tonus Peregrinus. Naxos, 2003, 8.55586.

Rihm, Wolfgang. Deus Passus.,. Helmuth Rilling, conductor with Stuttgart Gächinger
Kantorei, Stuttgart Bach Collegium; soloists Banse/Vermillion/Kallisch/Pregardien/
Schmidt. Hänssler 2001, 98397.

Tan, Dun. Water Passion after Saint Matthew . Tan Dun, conductor with Elizabeth Keutsch, soprano; Stephen Bryant, bass; Mark O’Connor, violin, Maya Barber, cello and RIAS-Kammerchor Berlin. Sony S2K 89927, 2002.

SCORES
Bach, J.S. Passion nach dem Evangelisten Johannes. edited by Arnold Shearing. Stuttgart:
Eulenberg, 1925.

Bach, J.S. Passion nach dem Evangelisten Matthäus. edited by Stuttgart: Eulenberg, 1967.

Goligov, Osvaldo. La Pasión Según San Marcos. New York: Ytalianna Music Publishing, 2002.

Gubaidulina, Sofia. Johannes-Passion. Hamburg: Musikverlag Hans Sikorski, 2000

Tan, Dun. Water Passion After St. Matthew. New York: Schirmer, 2000.

Rihm, Wolfgang. Deus Passus. Universal, 2000

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